Taylor Hill married Daniel Fryer in Winter Park, Colorado, in June 2023, wearing the first custom bridal gown Etro had made. It was off the shoulder, with long sleeves, floral detail, soft ruffles and a tiered skirt, and she finished the free-spirited look with a fine veil, loose waves and bare feet on the grass. What I take from it as a stylist isn’t the label. It’s the way every piece suited an outdoor mountain ceremony. The twenty looks below keep that idea, from close copies to cleaner modern takes, and for each one I’ve noted what to check so it works at your venue.
Bringing a Celebrity Photo to Your Bridal Appointment
Brides often show me a single red-carpet or wedding photo and ask for that exact dress. A custom couture gown can’t be bought off the rack, so the useful question is which three or four elements make the picture feel right to you. With this gown, it’s usually the off-shoulder line, the sleeves, the tiered skirt and the floral texture. Once you name those, I can pull gowns from many designers that share them.
- Save several photos from different angles, including a back view and a moving shot. A front portrait hides how a skirt actually behaves.
- Mark what you love on each image and what you’d change. Sleeves you love but tiers you could live without is very useful information.
- Tell the consultant your venue, season and ground surface first. That rules out heavy satin or a long train before you even try one on.
- If you’re commissioning a gown, ask a dressmaker for a toile in calico first. It shows the shape and proportions before the expensive fabric is cut.
Be ready for one honest truth: her frame is a model’s frame, and her dress was fitted to it. A copy in the same proportions may not suit you, while the same ideas on your proportions almost always will.
1. Taylor Hill Off Shoulder Wedding Dress
If you want the closest echo of her gown, start here. A fitted lace bodice, a softly curved off-shoulder line, sheer long sleeves and narrow ruffles at the shoulder give the shape without extra bulk, and an A-line skirt keeps you comfortable outdoors. Add a fingertip veil, pearl drops and half-up waves. On soft grass, bare feet are fine; on packed earth, ivory ballet flats. The fitting point I watch most is the off-shoulder band. With sleeves attached, every arm movement tugs on it, so it needs to be anchored to the bodice or you’ll be pulling it up through the vows.
2. Taylor Hill Tiered Wedding Dress
Tiers are what give her dress its movement, and they only work in a light fabric. Chiffon, fine lace or silk organza in two or three gathered layers will swing as you walk; heavier satin tiers just stack up like a cake. A structured bodice keeps the volume from swallowing you. I’d pair it with a long sheer veil that trails behind rather than sitting over the tiers, small floral earrings and an airy bouquet. Low block heels suit a level lawn and embroidered flats suit rougher ground. One honest note: tiers add visual width at the hip, so on a petite frame keep it to two.
3. Taylor Hill Floral Lace Wedding Dress
Botanical lace is the detail that makes this style feel handmade. Look for leafy vines, small embroidered flowers or raised appliqués rather than dense traditional lace, with a lined bodice and sheer sleeves so the motifs seem to float. A plain tulle veil lets the flowers lead, with ivory slingbacks, fine gold earrings and white garden flowers in hand. Hair in relaxed waves with the front pinned back keeps the neckline clear. Skip the necklace. With this much detail on the bodice, anything at the throat starts to fight the lace.
4. Taylor Hill Long Sleeve Wedding Dress
Sleeves were part of her gown, and they’re the most practical feature for a mountain or autumn ceremony, when the air cools fast after sunset. Sheer lace with light floral embroidery and a fitted cuff looks refined, and an open neckline keeps the gown from feeling buttoned up. A chapel veil, small diamond studs and ankle-strap shoes with a stable heel suit it. Wear the hair half up so the sleeves show. When I fit sleeves, I make sure the cuff clears the wrist bone by a few millimetres; too long and it drags into your food, too tight and your hands swell into it by evening.
5. Taylor Hill Boho Wedding Dress
For a distinctly bohemian interpretation, loosen everything. A gown with an unstructured waist, flutter sleeves and fine floral embroidery in chiffon or soft crepe moves naturally and stays comfortable for hours. A light veil with a raw or narrow edge suits it better than heavy lace trim, and flat ivory leather sandals, wildflowers and small drops finish it. Textured waves and fresh skin complete the beauty side. This shape should skim, not cling. The trade-off is support: an unstructured bodice suits a smaller bust far better, so if you need lift, ask for a built-in bra cup.
6. Taylor Hill Corset Wedding Dress
A corset gives this romantic style some modern structure. I look for a softly pointed basque waist, proper boning and floral lace over the bodice, then a fluid A-line skirt so it doesn’t tip into drama. Detachable off-the-shoulder sleeves bring back the ruffled effect of the original. Add a sheer cathedral veil, pearl studs, pointed flats or low heels, and hair in loose waves or a low textured bun. Keep the bouquet loose with trailing greenery. A basque point is flattering on most figures, but it needs to land exactly at your natural waist, so expect at least two fittings.
7. Taylor Hill A Line Wedding Dress
The A-line is the most forgiving version of her silhouette and the one I suggest when a bride isn’t sure. A fitted lace top opens into a soft skirt at the natural waist, so the fabric floats instead of clinging, and a wide neckline with small sleeves keeps it romantic. A mid-length veil, pearl-and-gold earrings and closed-toe block heels polish it, with half-up waves for outdoor weather. Soft white flowers and grasses tie the bouquet to the land. It works across most body types and lets you cross lawns or ranch paths without lifting the skirt every few steps.
8. Taylor Hill Ruffle Wedding Dress
Ruffles look elegant only when they’re narrow and soft. I’d choose a lightly ruffled off-shoulder neckline and one or two tiers near the hem in chiffon, tulle or light organza; stiff fabric makes ruffles stand up and look bulky. A plain veil, small studs and simple ivory sandals keep the rest quiet, with loose waves and a few face-framing pieces. A small bouquet stops the whole thing from looking busy. This is the most playful take on her gown, so it belongs at an informal garden or countryside wedding rather than a black-tie ballroom.
9. Taylor Hill Mountain Wedding Dress
At altitude, fabric weight matters more than anything on the hanger. A long-sleeve lace gown with a secure bodice and a manageable train should have enough body to stay put in a breeze, because sheer chiffon blows straight up in mountain gusts. Ivory boots or stable block heels beat stilettos on grass or gravel. A fingertip veil you can remove after portraits, small earrings and a bracelet are plenty, with half-up waves to keep hair off the face. I’d also pack a warm wrap. Mountain evenings cool quickly once the sun drops behind the ridge, even in summer.
10. Taylor Hill Garden Wedding Dress
In a garden, I want the gown to belong to the setting without looking themed. A floral-appliqué dress with sheer sleeves, a soft neckline and a light A-line skirt does that, especially when the embroidery is concentrated at the bodice and thins out toward the hem. A plain tulle veil, floral studs and ivory block-heel sandals keep the focus right. Two or three tiny blooms in a half-up style are lovely; any more and it looks like a costume. Carry a loose bouquet in white, cream and pale green. Natural, glowing makeup keeps the face in step with the gown. Live flowers wilt by mid-afternoon in heat, so I’d use silk or preserved blooms in the hair.
11. Taylor Hill Western Wedding Dress
Her Colorado wedding weekend also had a ranch feel, which makes a Western-influenced bridal outfit a natural spin-off. Start with a fitted crochet or lace gown with long sleeves, a defined waist and a softly flared skirt, then add cream cowboy boots you can actually dance in. I’d keep it to one Western element. Boots plus fringe plus a hat plus turquoise quickly becomes fancy dress. For a welcome party, skip the veil, carry a small leather clutch and bring a light ivory jacket for after sunset. Break the boots in for a couple of weeks first, since new leather rubs at the heel.
12. Taylor Hill Crochet Wedding Dress
A crochet wedding gown breathes well and looks handmade, which suits a relaxed ceremony. Insist on a full lining; unlined crochet shows everything in flash photos. Bell or slim sleeves both work. Ivory ankle boots, small hoops and a fine pendant suit a plain neckline, and a shoulder-length veil or a floral comb replaces a full veil. Crochet has one weakness I always mention: it snags. Keep rings with raised settings and beaded clutches away from the skirt, and ask whether the stitches are knotted so a pulled loop can’t run.
13. Taylor Hill Chiffon Wedding Dress
Chiffon is how you get that floating quality outdoors. A gathered off-shoulder bodice, sheer sleeves and an A-line skirt over an opaque lining is the right build, and small embroidered flowers add interest without weight. Flat sandals, a fine tulle veil and pearl studs suit it, with a slightly structured bouquet to balance all that softness. Keep the train short. Chiffon catches the wind like a sail, and a long train will wrap around your legs or blow across the aisle on an exposed hillside or beach.
14. Taylor Hill Sheer Sleeve Wedding Dress
Illusion sleeves let floral lace look as if it’s sitting straight on the skin. I’d choose fine tulle sleeves with carefully placed motifs and a fitted cuff, then an open shoulder or gently curved neckline and a flowing skirt. A mid-length veil and pointed ivory flats keep it simple, and pearl drops add a little movement. Wear a low bun if you want every motif visible, or half-up waves for a closer nod to her look. Ask your seamstress to match the tulle to your skin tone. A mismatch shows as a grey or pink cast on the arm in photos.
15. Taylor Hill Minimal Wedding Dress
Not every bride wants lace and ruffles, and her mood translates well into something cleaner. Ivory silk crepe with a wide neckline, long fitted sleeves and an uncomplicated A-line skirt keeps the shape, with a few covered buttons or a soft drape for interest. A long plain veil, sculptural pearl earrings and slingback heels suit it, with polished waves or a low centre-parted bun and a muted rose lip. Silk crepe is unforgiving of a poor fit at the shoulder, so that’s where I’d spend the alteration budget. It suits a gallery or estate as well as an outdoor setting.
16. Taylor Hill Vintage Lace Wedding Dress
Vintage lace gives this style an heirloom feel. Look for a scalloped off-shoulder neckline, long lace sleeves and a softly gathered skirt; cotton lace or a fine floral pattern feels more relaxed than beaded fabric. A narrow-edged veil, antique-style pearls and ivory Mary Janes or low pumps fit the period, with a loose chignon and a few soft waves. A small cream and pale green bouquet tied with plain ribbon is enough. If you’re buying a true vintage piece, check the lace under bright light for yellowing and weak threads at the underarms, which is where old lace usually tears first.
17. Taylor Hill Silk Wedding Dress
Silk satin suits brides who love her silhouette but prefer smooth fabric. A folded off-shoulder neckline, fitted waist and fluid A-line skirt carry the shape, and detachable sheer sleeves give you two looks without a full change. Add a long tulle veil, crystal studs and ivory kitten heels, with loose waves gathered off the face. White roses add texture against the plain cloth. Silk satin marks easily: a splash of water or a sweaty palm can leave a ring. I keep a white cotton handkerchief with the bride all day and tell her not to dab stains with anything wet.
18. Taylor Hill Beach Wedding Dress
On a beach, her barefoot romance is easy to borrow, but the gown has to cope with sand and wind. Soft chiffon with an off-shoulder neckline and light embroidery, falling close to the body, works well. Keep the train short, since a long one collects wet sand and gets heavy fast. Barefoot sandals or flats you can kick off near the water suit it, and a short veil is far easier to control in coastal wind. Waterproof makeup and textured waves secured with discreet pins finish the look. I’d also ask for the lining to stop just above the hem, so damp fabric doesn’t cling to your ankles.
19. Taylor Hill Reception Wedding Dress
A second dress lets you keep the same mood in something you can dance in. A tea-length or ankle-length ivory dress with an off-the-shoulder ruffle, fitted lace bodice and soft layered skirt ties back to the ceremony gown. Supportive block heels, pearl earrings and a small clutch work, with the veil swapped for a hair bow or floral comb and the waves swept into a low ponytail. If you’d rather stay in one long gown, ask for a slit or a proper bustle. Plan ten minutes for the change and a person to help with buttons, since a reception dress swap always takes longer than brides expect.
20. Taylor Hill Barefoot Wedding Dress
Bare feet were part of the original look, and they can feel deliberate rather than unfinished. Choose a flowing off-shoulder gown in soft lace, chiffon or light tulle, hemmed to just brush the ground without shoes. A fine anklet is a nice touch, though anything with loose links can catch on grass. Add a sheer veil, fine earrings and half-up waves, and keep ivory flats nearby for the path to the reception. I’d only go barefoot on a lawn or sand that’s been checked that morning. A thistle or a hot flagstone ruins the walk quickly.
Can You Really Go Barefoot at an Outdoor Ceremony?
It’s possible, but it takes more planning than the photos suggest. The day before, ask the venue to mow the lawn and walk the aisle yourself looking for stones, thistles and sprinkler heads. Grass with dew on it will soak a hem and leave green marks, so an early morning ceremony on a lawn is riskier than an afternoon one.
Hem the gown at the length you’ll actually stand at. If you’ll be barefoot for the ceremony but in flats for dinner, I set the hem for the flats and accept a soft pool of fabric on the grass, which looks natural. Do it the other way round and the skirt drags on the floor all evening. Book a pedicure a day or two before, and keep wipes in your emergency kit for the feet before portraits.
Dressing for Weather Above the Treeline
Mountain venues swing from strong sun to a cold wind within an hour, and storms often build in the afternoon. I plan a cover-up that matches the gown, such as a cream knit wrap, a faux-fur stole or a cropped jacket, and keep it with the planner rather than in a bag back at the hotel. Ultraviolet light is stronger at altitude, so put sunscreen on bare shoulders well before the dress goes on, giving it time to absorb so it doesn’t mark the neckline.
Her Gown Was a Starting Point, Not a Rulebook
What made her wedding look work was its fit with the place: off-shoulder lines, botanical lace, sheer sleeves, flowing skirts and soft ruffles, all suited to a mountain lawn. You don’t need to copy every element. Swap lace for clean silk, keep the sleeves but drop the tiers, wear boots or sandals or nothing at all. Let the venue decide the fabric weight, train length, shoes and veil, and make sure you can walk, sit and stand for photos in comfort. Finish with loose waves, quiet jewelry, fresh makeup and a bouquet that looks gathered rather than arranged.
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