Blake Lively’s bridal style mixes romantic detail with red-carpet confidence. Her custom Marchesa wedding gown had a hand-draped silk tulle bodice with crystal and rose-gold embroidery, and her best formal looks lean on sculpted shapes, rich embellishment and long trains. Copying one exactly rarely works off the carpet. What I do with brides who bring her photos is pick out the single feature they actually love, the embroidery, the volume, the color, and build a wearable dress around that. The twenty ideas below are organized that way, each with the fit or fabric point I’d watch.
Translating a Celebrity Photo Into a Dress Order
Red-carpet gowns are made to be seen from the front, standing, for a few minutes. A wedding dress has to survive ten or more hours of sitting, hugging, eating and dancing. When a bride brings me a celebrity look, we pull it apart before we shop.
What I ask at the first appointment
- Which single detail made you save this photo? The embroidery, the volume, the color, the neckline or the train.
- How much of the day will you be standing, and is the ceremony indoors or outdoors?
- Is there a part of the original you’d never wear, such as a very low back or a mermaid fit?
- What is the real budget, including alterations, which can add a meaningful amount on a structured or beaded gown?
Bring two or three photos at most. When a bride arrives with thirty, the gowns usually share one feature she hasn’t named yet, and finding it is quicker than trying them all. Hand embroidery and heavy beading also add months to custom orders, so if that’s your detail, start shopping early.
1. Blake Lively Rose Gold Ball Gown Wedding Dress
Rose-gold embroidery on ivory tulle is the closest nod to her own wedding gown. I’d look for a fitted, draped bodice, a layered ball skirt and fine metallic vines or tiny florals rather than heavy beading. A natural waist gives all that volume a shape and suits most figures. Metallic thread can look brassy under warm tungsten light, so ask to see the embroidery under indoor bulbs as well as daylight. Champagne pumps, delicate drops and a cathedral veil with a thin embroidered edge finish it. Keep the bouquet to ivory roses and pale greenery.
2. Blake Lively Off Shoulder Wedding Dress
Off-the-shoulder necklines balance a full skirt beautifully. Choose a structured ivory gown with a folded satin neckline, real corset support and a full A-line skirt. The open shoulders leave room for a fine necklace or statement earrings, but not both. Set the veil under soft brushed-out waves. In fittings, I always ask the bride to lift her arms as if hugging; if the folded band rides up or the bodice gapes, the boning needs adjusting before anything else. Ivory satin pumps and a pearl clutch are plenty, and gentle draping at the waist adds definition.
3. Blake Lively Long Sleeve Lace Wedding Dress
Long lace sleeves give her glamour a softer edge. A fitted bodice and flowing skirt, floral lace over a light neutral lining so the pattern reads in photos, an illusion neckline and a row of covered buttons make a traditional base; a low back keeps it current. With lace sleeves, the cuff is the giveaway: if it stops short of the wrist bone, the whole dress looks borrowed. Loose side-parted waves, pearl earrings, slingbacks and a fingertip veil edged in the same lace finish it. A narrow crystal belt adds waist definition if you want it.
4. Blake Lively Mermaid Wedding Dress
Mermaid gowns suit her fondness for body-conscious shapes, and they’re the hardest dresses on this list to fit. The gown should follow the waist and hips and flare from just above or at the knee into soft tulle or organza. Too low a flare and you’ll shuffle; I have every mermaid bride walk the length of the shop and sit on a chair before we sign off. A sweetheart neckline and a little crystal embroidery add sparkle. A detachable overskirt or a long chapel train brings ceremony drama. Keep the hair sleek at the crown with relaxed ends.
5. Blake Lively Satin A Line Wedding Dress
Plain satin looks expensive in a way lace never quite does. The cut does all the work: a fitted corset bodice, wide straps and an A-line skirt with soft pleats, plus covered buttons down the train. Choose a heavy satin; lightweight satin creases at the hip and lap the moment you sit in the car. A long plain veil looks striking in full-length photos. Pearl-and-crystal earrings, ivory pointed pumps and a small structured bag for the reception complete it. I suggest this gown to brides who want support and a clean line more than decoration.
6. Blake Lively Floral Applique Wedding Dress
Picture a gown covered in light, dimensional flowers. A floral appliqué dress has the playful, feminine feel she often wears, and it still looks unmistakably bridal. Choose an ivory A-line with organza petals, embroidered leaves and tiny crystal centers over a sheer bodice with lining placed where you need coverage. Organza petals crush if they’re packed tightly, so the gown should travel in a large bag with tissue between layers. Ankle-strap heels, floral studs and a barely there veil keep it light. Repeat one small appliqué on the veil instead of adding a busy belt or necklace.
7. Blake Lively Champagne Wedding Dress
Champagne is warmer than white and flattering on many skin tones. A layered tulle ball gown with a champagne underlay and ivory embroidery on top photographs well because the paler motifs stand out against the deeper base. Be aware that champagne can look beige next to bright white flowers or table linens, so I’d go cream with the bouquet and tell your florist the dress color. Metallic champagne pumps, antique-style earrings and a slim crystal headband suit it, with a sheer ivory veil. If there’s a lot of sparkle in the dress, leave the necklace off.
8. Blake Lively Cape Wedding Dress
Do you love the drama of a long train but want something easier to take off? A cape gives a striking entrance and comes off for dancing. Start with a fitted ivory crepe column gown with a square neckline and clean seams, then add a floor-length sheer cape attached at the shoulders, trimmed with embroidery, pearls or a narrow satin border. Skip the veil; the cape already covers the back. A polished low ponytail and bold crystal earrings suit the clean shape. Ask how the cape attaches. Snaps or hidden hooks at the shoulder are easy for a bridesmaid to undo; sewn-in loops are not.
9. Blake Lively Corset Wedding Dress
A corset bodice gives structure, definition and unmistakable red-carpet confidence. I prefer a softly curved neckline, internal boning and visible seams rather than anything too exposed. Pair it with a full silk or mikado skirt for an hourglass line. A lace-up back can be adjusted on the day, which helps if your weight shifts in the final weeks; covered buttons look cleaner but are fixed. Long gloves, crystal earrings and a cathedral veil under a smooth bun finish it. The test is simple: you should be able to sit, eat and breathe deeply without the boning digging in.
10. Blake Lively Gold Embroidered Wedding Dress
Gold embroidery makes a simple A-line feel grand. I like motifs that cluster at the bodice and scatter down the skirt, which defines the waist without covering every inch. Ask for muted, antique gold thread rather than bright yellow gold, which can clash with skin and look costume-like in flash photos. Brushed-gold heels and small chandelier earrings echo it, and a cream veil with little edging keeps the head clear. A soft updo shows the neckline. White flowers on pale green stems are better than adding more metal to the bouquet.
11. Blake Lively Beaded Column Wedding Dress
If a big skirt feels too traditional, a beaded column dress gives glamour in a slim line. Choose an ivory gown with a fitted lining, a sheer beaded overlay and a straight skirt that skims the body. Art Deco-inspired crystals or vertical beadwork lengthen the silhouette. Heavy beading pulls on the shoulders, so I always check the straps are wide enough and reinforced, and that the dress hangs from them without stretching the overlay. A detachable tulle train covers the ceremony, then comes off. Side-swept waves bring in the classic Hollywood note.
12. Blake Lively Blush Pink Wedding Dress
Blush is the gentlest way into color. A tulle A-line with a dusty blush lining under ivory lace keeps the shade soft, and a fitted bodice with a gathered skirt stops it from looking too sweet. The lining decides how pink the dress reads, so look at it in daylight and with flash; some blush linings disappear entirely in bright sun. Nude pointed heels, rose-gold earrings and an ivory veil suit it. Keep the flowers to cream, pale pink and green. If you want more drama, add a detachable bow or train; otherwise the color is the statement.
13. Blake Lively Sequin Wedding Dress
Sequins look refined when everything else stays simple. A long-sleeve ivory column with small tonal sequins, never large reflective discs, plus a deep V or open back and a lightly flared hem, is the shape I’d choose. Sequins sewn onto tulle or fine lace move more softly than dense sequined fabric. They also catch on lace veils and on guests’ knitwear, so I’d pair this with a plain, smooth veil. White pumps, simple studs and a sleek low bun keep it from looking busy, and a small satin bag is better than an embellished clutch.
14. Blake Lively Ruffle Wedding Dress
Ruffles bring volume and movement, the expressive kind of shape she wears so well. I’d pair a structured strapless bodice with an asymmetric organza skirt, with ruffles falling downward rather than flaring out at the hip. Organza is crisp and holds a ruffle well, but it creases if crushed, so it needs space in the car. Simple heels, sculptural earrings and a plain sheer veil keep the focus on the skirt. A soft high ponytail or textured bun shows the neckline. Carry a small bouquet; a big one hides half the ruffles.
15. Blake Lively One Shoulder Wedding Dress
A one-shoulder gown adds asymmetry without fuss. Choose smooth crepe or satin with gentle gathering across the bodice and a fitted waist, and a long shoulder drape that falls behind like a narrow cape; then you can skip the veil. Sweep the hair to the opposite side or into a low bun. The single strap carries the bodice, so fitting must be precise around the shoulder and bust or the dress slowly twists toward the bare side during the evening. I’d add a small silicone strip inside the neckline. Metallic sandals and a crystal bracelet on the bare arm finish it.
16. Blake Lively Blue Wedding Dress
Her love of strong color makes pale blue a natural choice. An icy blue ball gown with a fitted bodice, fine silver embroidery and layers of soft tulle feels bridal as long as the blue is light. Silver pumps, crystal earrings and a sheer veil with a blue tint suit it, and white flowers brighten the palette. Fresh, neutral makeup keeps it from looking theatrical. Tulle layers can make blue look darker or lighter depending on how many there are, so judge the color on the finished skirt, not a single swatch. An ivory gown with blue underlayers or a detachable blue overskirt is the softer route.
17. Blake Lively Bow Back Wedding Dress
Guests see the back of the dress for most of the ceremony. A bow-back gown makes that view count while the front stays simple. Start with an ivory mikado A-line, square neckline, wide straps and a smooth waist, then add a detachable oversized bow with long tails into the train. A short veil or none at all keeps the bow visible. Petite brides look best with a medium bow and narrow tails; taller brides can carry a fuller one. Mikado holds the bow’s shape well, which is why I prefer it to soft satin for this design.
18. Blake Lively Vintage Hollywood Wedding Dress
Soft satin, fluid lines and polished waves give a vintage Hollywood bridal look real confidence. I’d choose a bias-cut ivory gown with a draped neckline, defined waist, low back and a small train. Bias cut is unforgiving; it shows every line underneath, so plan smooth, no-line underwear or a built-in slip before the final fitting. Peep-toe heels, crystal drops and a satin wrap for cooler weather suit the era, with side-parted waves, defined lashes and a muted red lip. A birdcage veil is retro; a cathedral veil is more formal.
19. Blake Lively Mini Reception Wedding Dress
A mini reception dress changes the pace of the night. A structured ivory mini with a corset bodice, a flared skirt and a little crystal at the neckline keeps it bridal. Sit down and kick a leg in the fitting room; if the hem rides too high, go an inch longer. Sheer tights, platform heels, statement earrings and a small top-handle bag complete it, with a short bow veil or crystal hairpiece. Stick with silk, mikado, or embellished fabric rather than everyday cotton so it still looks like a wedding dress next to the ceremony gown.
20. Blake Lively Dramatic Train Wedding Dress
Few things make an entrance like a long train. I’d start with a fitted strapless ivory gown, then add a detachable overskirt with back pleats that sweep into the train while the front stays clean. Crystal pumps, bold earrings and a sleek updo carry the red-carpet feel. A sheer cathedral veil over the train softens it, and it should be lighter and slightly longer than the dress. A long train gathers dirt and gets stepped on, so a secure bustle is non-negotiable. Take off the overskirt and veil later and the base gown is ready for the reception.
Can You Sit, Dance and Use the Bathroom in It?
Glamorous gowns tend to be heavy, fitted or long, and sometimes all three. These are the checks I run before a bride commits to any of the dramatic options above.
- Sit for ten minutes in the fitting room. Corsets and mermaid skirts that feel fine standing can press into the ribs or thighs once you sit.
- Walk up and down a step. Long trains and fitted skirts are most awkward on stairs, and many venues have them.
- Learn the bustle. Have your maid of honor practice it at the last fitting so it isn’t her first try at the reception.
- Plan the bathroom. With a full skirt, a friend holds the layers from behind while you sit facing the wall. It’s not glamorous, but it works.
- Check the weight. A heavily beaded or very full gown can feel heavy by the evening, which is one good reason for a lighter reception dress.
None of this means avoiding drama. It means choosing the version of it you can live in all day, and planning the outfit change before the dancing starts.
Her Red-Carpet Rules, Rewritten for an Aisle
Her approach to dressing comes down to romance, confidence and one feature allowed to dominate. You can borrow it through rose-gold embroidery, a mermaid fit, a sweeping cape, colored tulle or a long detachable train. Start with that one detail, then keep the shoes, jewelry, hair and veil in support of it. Think about the venue, the season and how much you’ll move before you commit. Use her wardrobe as a starting point, not a pattern to trace. The dress has to suit your body and hold up through a full day, not a few minutes on a carpet.
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