Wtoo sits beside the main Watters wedding dresses line, and the bridal side is now presented as Locket by Watters, so you may see both names on the same style at a boutique. The range covers airy A-lines, sleek sheaths, structured corsets and full ball gowns, which makes it a sensible place to start if you are still unsure of your shape. What I care about is how each gown is finished: veil, earrings, shoes, hair and flowers should support its strongest feature rather than fight it. Below are twenty complete looks, garden to ballroom to beach, each with the styling call I’d make and the fitting detail I’d watch.
Shopping Wtoo at a Bridal Stockist
Most bridal boutiques carry a selection of samples, not the whole line, so call ahead and ask which of the styles you like are in store. Samples are usually one or two sizes, clipped to fit. Look at the shape and the fabric, and ignore how tight or loose the sample feels on you.
Your dress is ordered by your measurements against the brand’s size chart, and you order the size that fits your largest measurement. A seamstress takes in the rest. I tell brides not to order smaller in the hope of losing weight, because letting a bridal gown out is far harder than taking it in, and some fabrics show old stitch holes.
Questions worth asking at the appointment
- How long until the dress arrives, and is a rush order possible if my date moves?
- Can the neckline, straps or sleeves be customised at order, or only through alterations?
- Is the style still being produced under the new Locket by Watters name?
- Do you do alterations in house, and how many fittings should I expect?
1. Strapless Satin Wtoo Wedding Dress
Strapless satin is simple to style and hard to fit. The bodice has to hold you without straps, so internal corsetry is the first thing I ask about, before colour or train. A softly draped A-line with a natural waist moves well at the ceremony and through dinner. Pearl drops add a little light at the face, and pointed ivory pumps, a fingertip veil with a narrow edge and a compact bouquet of white roses keep the line clean. A smooth low bun finishes it. Hotels and estates suit this one, and it is easy to adapt for almost any season.
2. Lace Sleeve Wtoo Wedding Dress
Lace on the sleeves and plain satin on the skirt is a contrast I like, because it puts the detail near your face and keeps the lower half calm. Look for lace concentrated across the sleeves, shoulders or back on an A-line base. A heavy necklace crowds the neckline here; pearl studs are enough. Ivory slingbacks and a chapel veil that starts beneath a soft chignon finish it, and ranunculus, sweet peas and trailing greenery pick up the lace texture. Lace sleeves have no give, so leave room at the elbow. Spring and historic venues are its natural setting.
3. Sweetheart Ball Gown Wtoo Wedding Dress
A sweetheart ball gown is pure entrance, and the corset decides how comfortable that entrance is. Under the bodice, layers of organza or tulle give volume without stiffness; organza holds a crisper shape, while tulle feels softer to move in. Sparkling studs, pointed satin heels and a cathedral veil match the scale. Keep hair neat, a bun or smooth half-up, so the neckline shows. A rounded bouquet of ivory roses balances the skirt better than anything long. Expect a heavier dress than it looks; I would plan a seated rest during portraits.
4. Floral Applique Wtoo Wedding Dress
Raised floral appliqués carry a lot of visual weight, so placement matters. I prefer flowers clustered on the bodice and thinning out down the skirt; it keeps attention near your face and lets the hem move. Pair crystal earrings and ivory ankle straps with an unembellished tulle veil, because a decorated veil over 3D flowers turns into clutter. Loose waves or a relaxed twisted updo suit the garden mood, as does a bouquet of peonies, ranunculus and fine greenery. One practical note: raised petals catch on veils and chair backs, so ask the seamstress to tack any loose edges.
5. Off The Shoulder Wtoo Wedding Dress
Off the shoulder softens a structured gown, but only if it stays put. The bodice needs a corset or internal band to anchor the sleeves, otherwise they creep up toward your shoulders by the first dance. Choose between a full A-line or a fit-and-flare skirt, then add long drop earrings, pointed ivory heels, a smooth chapel veil and a slightly elongated bouquet. A centre-parted low bun keeps the shoulders clear. Raise your arms and sit during fittings; if the sleeves pin your arms, they are set too low. Evening ceremonies and formal rooms suit it.
6. Mikado Wtoo Wedding Dress With Pockets
Mikado has a sheen and stiffness that give an A-line real architecture. On a strapless bodice with a straight or softly scooped neckline, it reads very modern. The pockets are not a gimmick: they give your hands somewhere to go in portraits, which is the one thing nervous brides always ask me about. Pearl earrings, closed-toe ivory pumps and a long plain veil sliding over the train keep it clean, with a sleek bun and a compact calla lily bouquet. A removable satin bow at the back adds ceremony drama and comes off for dinner. Expect some creasing after sitting.
7. Beaded Bodice Wtoo Wedding Dress
Sparkle above the waist and soft tulle below is a balance I trust, since it keeps the shine near your face and the skirt light. A strapless or sleeveless A-line works. The detail people miss is bead colour. Silver, pearl and champagne beads look very different in daylight, so match your earrings and sandals to the beading itself, not to the word “ivory” on the tag. Small crystal studs, metallic ivory sandals and a fingertip veil with a minimal edge suit it. A soft updo with face-framing pieces relaxes the sparkle for a rooftop or candlelit reception.
8. Square Neck Wtoo Wedding Dress
Square necklines suit brides who want structure without the plunge or the curve of a sweetheart. Wide straps on crepe or an A-line give it a clean frame. I usually skip the necklace unless the neckline sits low; the open space around the collarbone is what makes the shape work. Oval pearl earrings, pointed slingbacks, and a chapel veil attached beneath a low bun keep it tidy. Tulips or calla lilies repeat the straight lines. With a plain front, a low back or covered buttons give guests something to look at during the vows. Courthouses and galleries suit it best.
9. V Neck A Line Wtoo Wedding Dress
A V-neck A-line draws a long line from collarbone to hem, which flatters almost everyone. Wider straps and good internal support make it easy to walk, hug and dance in. The one thing I watch closely is illusion mesh in the V: matched carefully to your skin tone, it disappears; a shade off, it shows in every close-up. Delicate drops, block-heel sandals, a light chapel veil and a loose chignon keep it romantic without being formal. White flowers with eucalyptus suit a vineyard or estate in summer, where a block heel is far kinder on grass.
10. Fit And Flare Lace Wtoo Wedding Dress
Fit and flare in lace follows you through the hips and opens near the knee, so the lace pattern needs to be clear and continuous across the seams. Mismatched motifs at the side seam are a sign of rushed work. Keep everything else simple: pearl drops, pointed ivory heels and a plain cathedral veil. Soft Hollywood waves suit a strapless or off-shoulder neckline. A narrow bouquet keeps proportions in check. A fitted skirt with a long train is hard to manage later, so I always book the bustle into an early fitting rather than leaving it to the final one.
11. High Neck Wtoo Wedding Dress
High necks in contouring lace over a stretch lining are more comfortable than they look, and the stretch lining is the reason. A sheath or gentle fit and flare with defined seams and a low or illusion back keeps it modern. No necklace; small pearl or diamond studs only. Pointed pumps, a simple tulle veil and a sleek bun at the nape let the neckline lead, and long-stemmed calla lilies repeat the vertical line. Turn your head side to side in the mirror. If the collar rubs, a seamstress can relax it slightly without changing how it looks. It suits fall and modern venues.
12. Minimalist Crepe Wtoo Wedding Dress
Plain crepe hides nothing, which is both its strength and its demand. A sheath with a softly scooped neck, wide straps and seams placed to follow the body depends on precise alterations. Smooth undergarments are essential, and I check them from the side under bright light, where lines show most. Sculptural pearl earrings, pointed ivory pumps and a clean chapel veil keep it contemporary, and a low ponytail or centre-parted bun adds polish. Orchids or calla lilies beat a loose arrangement. A removable overskirt gives you ceremony volume before the sleek reception look.
13. Tulle A Line Wtoo Wedding Dress
Tulle on an A-line is about as easy to move in as bridal gets. A fitted bodice with light lace appliqués and a skirt flowing from the natural waist suits a garden or country estate. Small pearl earrings, low block-heel sandals and a fingertip veil keep it soft, and loose curls in a half-up style relax the whole look. Garden roses and sweet peas fit the season. Layered tulle has to be hemmed while you wear your exact shoes; even a small heel change leaves the front catching on your toes or hovering above the floor.
14. Basque Waist Wtoo Wedding Dress
A Basque waist dips into a point at the centre front, which lengthens the torso and makes the skirt look fuller. Satin or textured brocade shows that line best on a strapless bodice. Belts or waist jewelry would cut straight across it, so leave them out. Short drop earrings, satin pumps and a cathedral veil set above a classic bun suit the formality, with a compact bouquet of white roses. The corset should feel snug but still let you breathe deeply. If you can’t sit down and eat comfortably at the fitting, it needs letting out.
15. Brocade Wtoo Wedding Dress
Brocade has its pattern woven into the fabric, so it gives you texture without a single bead. On a strapless A-line with a straight neckline and a structured skirt, it reads quietly grand. The risk is pattern clash: lace gloves or an embroidered veil will fight with the weave. Keep accessories smooth. Pearl button earrings, pointed satin heels, a plain veil, a smooth bun and white anemones or tulips finish it crisply. Brocade is warm and fairly stiff, which makes it a winter fabric. For more drama, add satin gloves or a plain overskirt.
16. Wedding Dress With Detachable Sleeves
Detachable sleeves give you two looks without a second dress. Start with a strapless A-line or ball gown, then add fitted lace sleeves, draped sleeves or long tulle gloves for the ceremony, with pearl earrings, satin heels and a chapel veil. After portraits, take the sleeves and veil off for a cleaner reception neckline. A sleek low bun suits both versions. The attachment points are what I inspect first: small snaps or hidden loops should hold the sleeves without dragging the bodice down. Have a bridesmaid practise removing them so it takes a minute, not ten.
17. Wedding Dress With Side Slit
A slit should reveal your leg while you walk and stay closed while you stand. That is the test. Off-the-shoulder or strapless, on a flowing Mikado, satin or organza skirt, it adds movement and shows off embellished pumps. During fittings, I make brides climb a few stairs and sit on a low chair, since that is where a slit cut too high becomes a problem. Delicate drops, a long plain veil and a smooth updo balance the drama. A structured white bouquet with little greenery suits a rooftop, hotel or modern reception.
18. Wedding Dress With Bow Train
An oversized bow at the back is made for the aisle photo. Choose a sheath, fit and flare or structured A-line with a quiet front so the bow is the only big gesture. Pearl earrings, satin pumps and a lightweight veil positioned to fall around the bow, not on top of it, are the right support, with a neat chignon to keep the back visible. Keep the bouquet compact. A removable bow is worth the extra cost if you plan to dance; ask that the hooks or snaps sit flat and out of sight once it is off.
19. Destination Wtoo Wedding Dress
A destination gown has to survive the journey as well as the ceremony. Lightweight crepe, chiffon, lace or fine tulle on a sheath or soft A-line breathes in heat and packs better than structured fabrics. Block-heel sandals handle uneven terraces, and a short veil is easier in wind. I pin hair into a secure low bun or a braided updo, since humidity drops curls fast. White orchids with local greenery tie it to the place. Skip a long train unless the paths are smooth; a wrist loop or simple bustle protects the hem afterwards.
20. Plus Size Wtoo Wedding Dress
The number on the label means very little in bridal sizing, so ignore it and judge the fit. Support comes first: a structured sweetheart bodice, proper straps or removable sleeves, and a waist that shapes without squeezing. A natural or Basque waist both work, the second lengthening the torso. A flowing A-line skirt keeps it comfortable through a long day. Pearl drops, supportive block heels and a light chapel veil keep it soft, with a soft updo. A medium bouquet held low shows the bodice. An experienced bridal tailor will refine the bust, waist, hem and bustle.
How Big the Bouquet Should Be for Each Skirt
Every look on this list comes with flowers, and the size of the bouquet changes how the dress reads. A bouquet held at the hip should never be wider than your waist on a slim gown, or it hides the shape you paid for.
- Sheath and crepe gowns: a slim, hand-tied bunch or a few long stems, carried low.
- Fit and flare and mermaid: a narrow or slightly elongated shape that echoes the flare.
- A-line: a medium round bouquet; this is the most flexible skirt for flowers.
- Ball gowns: a fuller round bouquet, but not a cascade, which disappears against the skirt.
Travelling with the dress
For a destination wedding, I carry the gown on board in a breathable garment bag folded as little as possible, never in a checked case. Ask your airline in advance about storing it. Steam it at the venue with a handheld steamer held a few inches away, working from the inside of the skirt; never press tulle or chiffon with an iron, which can melt or shine the fibres.
Front, Side and Back Before You Sign Off
Start with a gown that suits the wedding you are actually planning, then build around its strongest detail. Wtoo covers clean minimalism, garden romance, formal glamour and travel dressing, so the line can follow you wherever you marry. Simple veils for textured lace, quiet jewelry for beaded bodices, and shoes you can stand in for hours. Sit, walk and lift your arms at every alteration. I always ask someone to take photos at the final fitting from the front, side and back, because a camera catches pulling and puckering that a mirror misses.
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